A new series premiering on AMC+ and Sundance Now explores the highs and lows of one of a hospital’s wards. This Is Going to Hurt, is based on Adam Kay’s award-winning worldwide memoir of the same name. However, the drama will premiere on streaming services on Thursday, June 2nd, with new episodes released weekly. AMC+ has revealed first-look photographs of the comedy-drama TV adaption.
Story of the Show
This Is Going to Hurt is a British medical comedy-drama television series. It is based on Adam Kay’s same-name memoir. The BBC and AMC worked together to create the program. However, it chronicles the life of a group of young physicians working in an obstetrics and gynecology section of the National Health Service. It investigates the emotional consequences of working in a stressful environment by profiling their job and home lives. Moreover, the series methodically follows Adam Kay (Ben Whishaw) and Shruti Acharya (Ambika Mod) as they work their way up the medical hierarchy. These characters both break the fourth wall and address the audience directly.
The tone of the show is comedy and tragedy. The seven-part series will premiere on BBC One and BBC iPlayer on February 8, 2022. It will premiere on AMC on June 6, 2022, in the United States.
‘Review’
Whishaw’s Adam is an effective and diligent doctor who, all too often, ignores everything human. He’s always working and never sleeping, and he’s become a ghost of a boyfriend to good-natured Harry (Rory Fleck Byrne). He is an increasingly hostile son to his withholding mother (Harriet Walter) and a terse and evasive mentor to wide-eyed newbie Shruti (Ambika Mod). Shruti tends to idolize Adam until she realizes she shouldn’t.
Adam is brilliant and devoted and the risk he poses to his patients is the result of a flawed system. Nigel Lockhart (Alex Jennings) symbolizes this risk frequently on screen.
Kay successfully blends procedural aspects with serialized drama, most of which is put in motion by errors of judgment in the premiere. This led Adam and Shruti into administrative and psychological spirals. Kay handles bureaucratic jargon as well as medical jargon for domestic viewers concerned about understanding the ins and outs of the NHS and British ambivalence about the system at large, relying on the milieu to keep the stakes generally high and maintaining them through the characters’ struggles.
The plot
Each episode includes a fresh set of upsetting and nerve-racking arrivals to the hospital. Adam’s expertise is women and newborns in danger, whether from medical issues, breaches of various kinds, or external forces such as violent husbands. That’s before you consider the usually inadequate on-call doctors, uneven technology, and significant resource disparities between private and public hospitals.
The cases and decisions they elicit are complex, and it’s rare that any one decision or any one character is doing something entirely noble, to the point where anyone who has ever had a baby, is thinking about having a baby, was a baby, or has ever set foot in a hospital will frequently look away in disgust.
